Poetry and the Art of Survival

The strong need to express in writing feelings of a deeply personal nature has given rise to a specific genre of poetry.  In what is sometimes called ‘autobiographical writing’ we find basic poetic qualities, as well as characteristics that set it apart from the main body of poetry.

All poetry shares with us a poet’s insight and his ability to make that vision accessible.  The use of rhythm, sound, and words rich with meaning can create again for the reader a poet’s place or a definite mood.  In using figurative language the poet everywhere defies the limits of words, using language in creative ways for greater clarity.

Where confessional or ‘elegiac’ writing begins to differ from other types of poetry, however, is in the way that feelings are revealed.  Far from being leisurely reflection, there is often a sense of power behind this writing that gives the idea of a compelling reason for the expression.  For example, in elegiac writing, pain or burden is shared with the rest of the world.  For the writer this may, to an extent, objectify and ease the feeling, letting the words be the distance between the writer and the experience.  Such poetry that is necessary and self-revealing can be recognized by its motivation.  There is an urgency that speaks throughout the poem.

Confessional verse that deserves the name ‘poetry’ can be distinguished from the inarticulate cry, or the offensive, semi-literate utterance by the maturity of the poet.  Strong feelings alone do not make for poetry.  It is the immediacy of the feeling joined to the developed poetic mind, that in writing we can justly call art.

The poem “Elemental Motions” shows us similarities with other types of poetry, as well as the unique differences of the confessional genre.  The verses begin with a speaking tone, taking the listener into confidence.  This direct,  unadorned manner of speech is a frequent characteristic of writing that reveals.  From the simple tone and rhythm we are given the idea that there is neither the time nor the desire here for linguistic puzzles.  The communication is of necessity sparse, stripped down to the essential.

The poem progresses in its use of descriptive imagery and metaphor.  As in other forms of poetry, the writer’s vision gives us correspondences.  The analogous images are not only ‘alike’ - beneath the surfaced they are often the same in essence, speaking the same truths in different ways.  The poem by Ellen Bliss shows us silver birds that rise from milkweed fields, “held inside cupped hands“.  A sequence follows resembling dream or reverie.  
“We break the stalks, we wave them free…”  These images reinforce what turns out to be the major theme in this writing.

Throughout the poem there is the repetition and re-viewing of the word “dream”.  It is seen as our desire or aspiration.  The poet is saying that it is basic for us to strive.  She equated human dreams with the movement of nature, the yearning of a bird for flight, of a tree for spreading growth, and of a seed breaking forth.  She is telling us that all dreaming, all reaching is of one kind, and that the same will that moved nature moves in us as well.  She illustrates this one will in a beautiful and poignant way by equating the “dream” of life to be with the baby dreaming “of human voices, of eyes held within his own”.  Here the same movement for life reaches for human love.

When we refer back to the title of the work, we see how succinctly the theme is named.  The phrase “Elemental Motions” works on many different levels, from the literal to the metaphoric.  Elemental motion describes not only the writer, moving through the day, and the newborn’s struggle, but also the basic character of the dream held within.  Grief and hope and the expression of these also come as natural, almost physical response, so that the writer also moves in an elemental way.

As a whole, confessional writing has the quality of being a spontaneous, vital and necessary expression.  Although often elegiac, personal revealing speaks not only of sorrow; it names the spirit of survival as well.  It is moved by life thorough every struggle.

Poetry is the only language strong enough to express deeper shades of meaning.  The poet is a giver of names.  The confessional genre is, however, set apart from the main body of poetry by its function.
Writing that reveals can be a tool for psychological survival.  Because sanity at times depends on expression, a writer learns to be agile.  Writing can have a strengthening, cleansing value, not only in unburdening, but in touching that part of the human will that endures.